
The counterpoint between culture and nature here has taken many forms. Around 1844, it is said, Sir Thomas Marion Wilson, Lord of the Manor of Hampstead, planned to build 28 villas, slap bang in the middle of the Heath (click here for more details). To give access to them he did build over a swampy valley a viaduct in red brick with five rounded stone arches. The roadway it carries is easily wide enough to accommodate pedestrian pavements flanked by iron railings, while leaving plenty of room for carriages to pass each other. The housing development was prevented by Parliament, but the viaduct remains, and the valley was drained to make a pond, which flows into a little stream. With its reflection on the surface of the pond, the view of the viaduct is probably the most painted, most photographed, scene in the whole of the Heath: a perfect synthesis of culture and nature.
And as you stroll on the Heath you see others strolling, many in the company of a dog, another perfect synthesis of culture and nature. Last week this was heard between a woman in a navy-blue overcoat and her Labrador:
"Come here, William. Immediately ... William, you're embarrassing me. Are you trying to show me up? Do you want people to think I'm not a good mummy?"
Nikolaus Pevsner (1952) The buildings of England: London except the Cities of London and Westminster. Harmondsworth: Penguin.
And as you stroll on the Heath you see others strolling, many in the company of a dog, another perfect synthesis of culture and nature. Last week this was heard between a woman in a navy-blue overcoat and her Labrador:
"Come here, William. Immediately ... William, you're embarrassing me. Are you trying to show me up? Do you want people to think I'm not a good mummy?"
Nikolaus Pevsner (1952) The buildings of England: London except the Cities of London and Westminster. Harmondsworth: Penguin.
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